Opening Hours
Tuesday to Friday 10:00-18:00 (Last admission: 17:30)
Saturday and Sunday 10:00-19:00 (Last admission: 18:30)
Closed on Mondays
The Train Garden is open to the public every day
Tuesday to Friday 10:00-18:00 (Last admission: 17:30)
Saturday and Sunday 10:00-19:00 (Last admission: 18:30)
Closed on Mondays
The Train Garden is open to the public every day
111 Ruining Road, Xuhui District, Shanghai
021-33632872
info@startmuseum.com
START Museum will present Polish artist Karolina Jabłońska’s first museum solo exhibition in Asia, titled Which Way the Wind is Blowing, opening to the public on August 22nd, 2025. This exhibition marks the 19th case study of the museum’s ongoing “Genealogy Study of Artists” project, initiated in 2018. The exhibition features a series of new works created specifically in response to START Museum’s architectural space and the natural-cultural context of the Huangpu River. This innovative project establishes a continuous academic research platform focused on the interplay between an artist’s personal genealogy and their artistic creation, utilizing exhibitions, publications, sound documentation, visual materials, and historical literature to systematically explore the artist evolution of the featured artist. Karolina Jabłońska stands as one of the most compelling artists of the rising generation in Poland today. Working primarily in painting, her art masterfully blends the medium’s inherent two dimensionality with a powerful sense of three-dimensional spatial control. In recent years, grounding her practice in ontology and autobiographical exploration, the artist has forged new visual perspectives and artistic expressions, engaging critically with themes of gender, politics, art history, and social reality. For her first museum-level solo exhibition in Asia, Which Way the Wind is Blowing, Jabłońska worked with the specifics of the Start Museum’s space and surroundings in mind, considering the spacious interior filled with natural lights, shadows and reflections, and the proximity to the river. Her figures become fluid with the wet, cloudy environments around them, displacing the “self” from portraiture into landscapes: In Flying sketches (2025), the trembling wind swept up a flurry of close-up sketches of self-portrait, quivering through the air. In The letter from the fortune-teller (2025), the “I” in the fortune-teller’s eyes is blurred beyond recognition by the falling rain. In Raindrops (2025), her iconic portrait forms only emerge through the distortion of falling water-drops. Fragmented clues compel the audience to reconstruct and imagine the individual and the truth. The sensation of being immersed in water and wind is given form in the paintings and extended into the exhibition space. The artist has designed the exhibition architecture to bring in and reflect natural elements such as wind, water and clouds. On the floor, she installs organically shaped mirrored foil to suggest puddles, and around the paintings, a series of sheer blue-grey curtains recall dense sheets of rainfall.
The exhibition will present 16 new works created by the artist, all on view in START Museum’s S Space on the second floor. The sentence “Which Way the Wind is Blowing” has a broad meaning, can stimulate the imagination,and sounds like a fragment of a poem or a song. The idiom “I know which way the wind is blowing” means that someone understands things and can predict what might happen, and I like to think about it according to the artist, as somebody who knows things, a kind of fortuneteller. This title also has a direct connection to things that appear in paintings, as wind, pieces of paper flying in the sky, and windy weather.
—Karolina Jabłońska